GIORGIO GRANOZIO WORKS
  • Home
  • Photography
  • Paintings
  • About
  • Contact

Giorgio Granozio Exhibitions

Born in Rome but resident in Edinburgh for the past 26 years -

Visual Art Exhibitions:

Sant’Agata dei Goti, Rome, “Arte Dolce” collective exhibition 1976
Galleria ‘Es’, Turin, “Settanta per cento” collective exhibition 1992
RIAS Gallery, Edinburgh, “Visual Works” solo exhibition 2004
Scottish Society of Artists, The Royal Scottish Academy, Edinburgh, 2007
Atticsalt Gallery, Edinburgh (Construct) collective exhibition 2007
Atticsalt Gallery, Edinburgh with Jane Rushton 2008
Atticsalt Gallery, Edinburgh, solo exhibition 2010
Scottish Society of Artists, collective exhibition Lyon & Turnbull, Edinburgh 2010
Galleria Piva, Bologna, collective exhibition “Gli Inutili” 2010
Comune di Ferrara, Rocca di Cento, Ferrara, collective exhibition “Gli Inutili” 2010
Arte Fiera OFF, Bologna, “Gli Inutili” collective exhibition 2011
Axolotl Gallery, Edinburgh, collective exhibition 2011
The Other Art Fair, London, collective exhibition May 2012
SALON D’AUTOMNE Exhibition" Paris, October 2012
The Other Art Fair, London, collective exhibition November 2012
Gallery 'LO STUDIO' - Sabine Uhdris, Büdingen (Frankfurt) August 2013
Collective exhibition for Adisco, Sotheby’s, Milan 2013
The Sutton Gallery, Edinburgh, collective exhibition, February 2014
Casaretto Art Gallery, Verden, Germany, June 2014
The Sutton Gallery, Edinburgh, (UK), July 2014
La Galerie 1940, Edinburgh, (UK), August 2014
Gallery 'LO STUDIO' - Sabine Uhdris, Büdingen (Frankfurt) 2015
The Royal Scottish Academy, Summer Exhibition Edinburgh, 2017


Picture

Fri 12 Oct 2007 
The SCOTSMAN:
We haven't conquered nature... we're not even 
comfortable there - ART - 
SUSAN MANSFIELD 

(...) Meanwhile, in a thoughtful two-person show at Atticsalt, architect and artist Giorgio Granozio is trying to get to grips with nature using the mathematical tools of his profession. His basis is Fibonacci, who proved that the things of nature, though seemingly random, actually contain a correspondence to the Golden Ratio.
The works in this show seem to detail his process of working - cut-out shapes imposed on photographs of tree branches or water, CAD drawings, and the translation of these same shapes into abstract paintings. And here an intriguing change takes place. The precision of the computer is lost and replaced by the painted line, a line which is, ironically, more natural. In his abstract paintings, which focus on simple geometrical shapes, he takes his quest one step further. If all of nature is underwritten by geometrical structures, what of those natural qualities we possess of thought, instinct, imagination? The paintings seem to come from the place where the two meet. (...)









Site powered by Weebly. Managed by Directnic
  • Home
  • Photography
  • Paintings
  • About
  • Contact